Celebrating My Victories

This week, more on my new timesheets, because that is data and I love messing with data. I am really liking the effect the timesheet is having. It pushes me to do more work when I need to, but is also a way for me to sit down and say: “Okay, I’ve worked on my novel for two hours today, so no I don’t need to work on it more now.”

The other effect is that it lets me, definitively, see how long it takes me to do certain tasks. I find when writing new stuff, I tend to work better in half hour increments. When smoothing or revising, I can more easily work for up to an hour (or more).

It also lets me see what other things I did over the course of a week that I might forget I had done, like these past two weeks I went though my blog and re-jiggered the categories and tags. I now have:

Journal: Mostly talking about the writing I’ve been doing, but some of what’s going on in my life in general.
Blog posts: Which are posts that are meant to be more informational or topic focused than ‘what I’ve been doing’.
Reviews: Because I realized I really like doing reviews and talking about why I did or didn’t like particular media (tv shows, movies, books, and video games).
World of Warcraft: For all my old world of warcraft kill posts that I just can’t bring myself to delete.

It took some time, but it now means things are much neater, and that makes my heart happy.

Also, two great things happened this past week. First was that I reached the point in Huntsman where I *usually* bang my head against it, think nothing can be done, and become sad for several days. But this time I remembered my process after only one day, and went back to the beginning to smooth for a while. (I am also taking notes on the things I still need to do.) I am proud that I was actually able to look at my resistance and realize what it meant. It’s all part of getting comfortable with my process.

The second was that I got depressed (okay the depressed part wasn’t great) but I *realized* that I was depressed and gave myself the day off instead of beating myself up over the fact that I didn’t feel like working on the Huntsman. Instead I read more in my mushroom book (research for a potential story) and spent almost three hours writing the first drafts and taking pictures for the gryffin posts I have coming up. And those were both productive and fun.

So it was two wins in the “self-awareness” category and I am celebrating that fact. I didn’t try to force myself to feel the way I thought I should, I just listened to what I needed and worked from there and ended up more productive for it.

Added Feb 07: I totally forgot to make myself a writing goal. On Jan 21 my goal was to finish removing a character from the Huntsman and smooth to the end. Since then I got about halfway in, then went back to the beginning for another smoothing pass during which time I started taking notes on what I don’t like, or that needs to be fixed in each scene until I now reached the place where the book basically breaks down completely.

Plan for the next two weeks is now this: Finish off taking notes on the whole story (Wed), move the scenes around to try and make the story more whole (Thurs), write the new scenes I put in my notes as needing to write. (Sat/Sun).

Then the next week is another, heavy duty, smoothing pass. I’ll reevaluate where I am over the weekend and include my new plan in the next journal entry.

Removing a Character

So after two more weeks of tracking how much time I spend on my writing, I am much happier with my productivity during the week. I am better able to stay on track and I spent more hours working on writing. However, weekends gave me trouble. I don’t have a particular block carved out on weekends because they can be so variable. What this means is while I get writing done, I have dropped the ball on more than one occasion on actually writing down the hours spent and on what.

Added to that the change in schedule caused by some news I got on Tuesday (more details about that in my newsletter this month.) and the Roanoke Regional Writer’s Conference I went to this past Saturday, meaning I’m taking today off, my spreadsheet is nowhere near as beautiful as I would like.

However, I have been feeling productive. (And I think I have been, despite not having all of the cold hard data to back it up.) Being able to look back and see: “Oh yeah, I actually spent an hour and a half smoothing the Huntsman.” Does wonders for dispelling my mind trying to tell me I’m slacking off too much.

I’ll likely keep trying with the spreadsheets and see if I can’t get writing down my time to be more habitual, since it’s something I would like to keep up with.

The “event on Tuesday” also lead to a change in priorities that means I got very little done with the Huntsman. That in itself wouldn’t be horrible except that that morning I had finally decided to pull the plug and yank a (fairly) main character out. So not only did I get less done, I had just given myself more work.

So this journal entry is my reset point for my goals. I need to remove the character from the manuscript, and finish smoothing it out by the end of the month, which is only a week and a half. Looks like that’s most of what I’m going to be doing during this time.

Starting the New Year Cold

Hello and Happy New Year! I do not have any New Year’s Resolutions to report. I am, however, very glad that we are out of this cold snap. I am continuing on in my writing journey in much the same fashion as last year in that I and evaluating what is and isn’t working every week or so and changing things up as needed.

And this week is no exception. A few weeks ago I saw a friend post about a time tracking program she was using to see how productive she is. I decided it might behoove me to check and see how productive I actually am, since I often don’t feel productive just because I don’t spend every waking moment on my writing.

So for the past two weeks I’ve been just (trying) to record my time I spent on what. Part of the problem was remembering to write down my start and end times. This was the time between (roughly) 2 and 5 pm Mon – Thurs and /shrug on weekends. My plan was to do my best to not change my habits and to just record what I was doing.

First week:

19.5 hours
33% of my time was spent on “writing” activities. Either writing, revision, or smoothing. Anything that is actual work on one of my stories.
44% of my time was spent on “Professional development” things, this includes my social media presence, stuff dealing with agents, and any books that I read.
23% was “other” which is cleaning my house, taking breaks, and playing video games.

Yeah, I was rather disappointed with myself, even though this was supposed to be a fact finding mission. So this past week I tried to focus a little more on doing more writing/professional development, even though I still didn’t give myself any hard-set goals.

Second week:

18.5 hours
62% Writing
27% ProDev
10% Other

Which I am much happier with. And now that I’ve seen the general shape of my working habits, now I’m ready to start setting some goals for myself.

I would like to have is 20 hours a week (a part time jobs’ worth) of time spent on Writing, Reading, and ProDev. Not that I won’t take breaks in my day, but overall time spent should be 20 hours a week. That should boil down to 3 hours a day Mon – Thurs and 3.5 each Sat and Sun. At least approximately. It’s also possible for me to make up time on the weekends, most of the time, but any travel or events will throw a wrench in that. I’ll just have to see how it goes.

Goals:

1) I’ll be done with my last polish of The Law of the Prince Charming before Sunday. It will then be sent to my hubby for his read-through. Once I incorporate anything he finds, it will sit around waiting for some lucky agent to request it.

2) I am doing a smoothing pass of the Huntsman with the new changed beginning. I want to have that done by the end of the month in order to send to alpha reader(s). The goal for this week is just to get through a chapter a day., which could either be easy or hard based on how much I have to rewrite.

New Challenge for December

The last two weeks have gone well. I finished up the revision pass of The Law of the Prince Charming, adding in the new plot lines I decided I needed after receiving feedback from an editor. That ended up going a lot more smoothly than I thought it would, and I’m happy with the way it ended up.

A side effect of this, however, sent the first 13k words of the Huntsman into the trash. This was both good and bad. It was good because it highlighted that a certain plot-line was superfluous and probably would’ve just confused things. I was also really having trouble with the end of that section and I’d just as rather not have to fix it. Losing the beginning of the Huntsman was bad because …well throwing away 13k words, and I actually really liked how it started the story. It gave legit reasons to explain what had happened in the last book without it just being the narrator telling the reader. I also loved a lot of the characterization I did with my main characters that, as a discovery writer, I’ll have to see if I can finesse into the new beginning.

And speaking of the new beginning, I was inspired by the DIY MFA Radio podcast to start trying to write every day. Not that I don’t, but I mean to actually write new prose every day. For some reason I assumed that if I was going to write new prose, it had to be as much as I possibly could manage in a day. And that would mean revising and working on my website would be left as daunting side projects. It was pointed out that even 100 words a day is 36.5k a year, nothing mind blowing, but I realized that it would be child’s play for me to write 500 words a day. That’s 30 min, 45 on a bad day. So I just make that a daily thing and that’s over 180k words a year.

As of right now I’m using that to rewrite the beginning of the Huntsman (the rest of the story was not much effected by the beginning being changed, which was part of the problem.) and I’ve also been throwing the occasional 500 words at a new story idea that’s been burning a hole in my brain. So for the most part, December is an experiment of whether I can polish a novel, write prose into a second novel that is on the edge of stepping out of rough draft status, and write prose toward a different project’s rough draft all that the same time. Sounds like a lot of fun doesn’t it? I know right!? So far I’m not having any trouble switching among them. My plan now is to see what happens and reevaluate at the end of the month.

Thanksgiving 2017

In the lead up to Thanksgiving I found myself swamped with things, and while I wrote a post, I didn’t have time to go through the 3+ drafts I need to do to get something I write ready to publish.

That post is now on the back burner because I wanted to talk about what I’ve been doing with my writing. And that is, I hired a freelance editor to take a look at the Law of the Prince Charming. One of the main results was that I put the Huntsman aside to come back to LotPC. Two major changes were that I took out a major plot thread that required some reworking and added in another plot thread that required more reworking. These changes ended up going more smoothly than I thought they would, not that there weren’t scenes I had to pull apart at the seams. There were also a number of smaller changes like shoring up Tabitha and her mother’s motivations throughout the story and strengthening the theme.

I made one pass where I added in the rough changes I needed to, and now I’m in the middle of a revision pass where I am smoothing out the sharp edges the additions created and seeing if there is anything else I need to add. I’ll be going into more detail about what my experience in getting more professional feedback was like in this month’s newsletter, so sign up here if you’re interested.

Thanksgiving also happened since I last wrote a journal post. I spent far more time visiting with family than I did working on my story. I only felt guilty some of the time. It was quite the enjoyable holiday. I ate way too much, enjoyed time with family, and avoided any and all political discussion at the table.

My plan from here out: Get this revision pass done by Sunday morning. Then I can spend the afternoon on the rough draft of that post I mentioned.

World Fantasy Con 2017

So a week ago I went to San Antonio for World Fantasy Con. It’s my first year going, and I basically decided to go because I heard it mentioned on Writing Excuses and I wanted to get some experience with specifically fantasy focused conventions.

I was rather apprehensive because, while I’ve been rockin’ the convention scene since 2000, with Otakon and a few other anime conventions, I’ve never been to one focusing on books and truthfully I didn’t know what to expect. Otakon is huge and so my biggest change in expectation is that I knew it wasn’t anywhere near that large.

On the first day I was able to talk to someone who had been there before over breakfast, and she told me a few things to expect, like there is very little cosplay at WFC, (which is a change from Otakon) about the con suite (where the serve you food), and the readings.

After I got my badge they directed me to a room where I got a shoulder bag full of books. I was pretty surprised and happy, even though I couldn’t take them all home on the plane. I read several of them before I left and had to leave the others behind. The ones I did keep/read were enjoyable, and it opened me up to some books I wouldn’t have picked up on my own.

I went to the Opening Ceremony Panel where they had their guests, Martha Wells, Tananarive Due, Karen Joy Fowler, Gregory Manchess, and David Mitchel, all talk a bit about secret history, which is the theme of the con. It was a good introduction.

I then went to a reading by Curtis Craddock, who read from a swashbuckling style book called An Alchemy of Masques and Mirrors which was a very intriguing read. I went to his reading just because there wasn’t a panel I wanted to attend at that time and I wanted to experience some live readings so I have ideas for mine in the future. And now I am adding that book to my ‘to read’ pile.

There was a panel called Beards and Intrigue: Queering the Historical Fantasy where the discussion was on LGBTQ+ protagonists in fantasy. The panel itself was great and the panelists included in their introductions their gender and sexual preference and it wasn’t until question and answer time that someone pointed out how cool it was that they had done that, and the entire audience just accepted it.

But that really was an overall theme that I noticed for the weekend. Fantasy people …I dunno, we’re just hardwired to accept things. We’re so used to reading about protagonists that are different, if they’re even human at all, and then being drawn into a story where we sympathize with those characters. So it gives us a leg up on the ‘live and let live’ style of existence.

The next day there was Exploration of Gender in Fantasy panel, where I found out about the Tiptree Award, which is “an annual literary prize for works of science fiction or fantasy that expand or explore one’s understanding of gender.” (from wikipedia).

And there was a panel Hild and Hilt: the Female Monk, the Lone Woman Protagonist where they talked about what it took to be a ‘lone woman protagonist’ and how that was different from a male protagonist.

I went to a number of other panels and readings and really enjoyed most everything I interacted with. And at the end of it all, when I was at the Awards Banquet and I was listening to Martha Wells speak, I realized something about the weekend that had sort of flitted at the edges but not really hit me. Unlike writing conferences I’ve been to, these were my people. I could feel it in the air and in the way everyone interacted with each other. Everyone was interested in fantasy books, they read them and brought them up as examples, and talked about them with such fervor; unlike at conferences where I feel like genre sort of sits on the sidelines and sometimes gets mentioned and usually by lumping fantasy together with science fiction. (Not that I have anything against science fiction, but it is different.)

After the Con was over, I had some extra time to go around San Antonio and experience the Riverwalk, which was amazing. Unfortunately I got sick on the way home and I still can’t breathe through my nose, but it’ll pass. But all in all, I was very glad I went and experienced it, and not only because of the free books.

Help from Sebastien de Castell

I have poured out some new words on The Huntsman, but things are still not coming together the way I would like them to. As such I’ve gone back to the beginning again to smooth what I have and hopefully push forward again.

Going back to the beginning of my story does two positive things for me. One, the beginning is rather solid right now, so it helps me remember I’m not a terrible writer and it lifts my spirits. Two, it allows me to shift the story as a result of new things I have discovery written, including relationships between characters, because, let’s be honest, the thing I enjoy most about writing is the relationships between characters. So whenever they get more nuanced and detailed, it makes me happy and keeps me motivated.

I was listening to a podcast from DIY MFA.com where the author Sebastien de Castell talked about how much more difficult writing a sequel book is. As he pointed out, in the first book you can just create as much as you want, but in the sequel there are already rules, rules you can’t change (especially if the book is already published.) and expectations that have been set.

It just made me realize how true that was, and I stopped beating myself up so much about the expectation that I had that since the first book only took me two years, I should be able to do that for the second. The book is going to take as long as it’s going to take. I may never be one of those authors who pounds out a book a year. And that may change when I have an agent and/or editor helping me out. Right now I can only work with what I have. My goal right now is aimed at having an alpha ready by the end of the year. It’s good to always have a goal, even if you don’t make it. And who knows, tomorrow I might have that idea or write the scene that fixes all the problems I’m having. That’s part of why writing is so much fun.

PS: Sebastien’s Greatcoat books are super amazing, so if you like swashbuckling and snarky narrators, give them a shot.

My Most Inspirational Quotes: #3

Third in my series of posts about inspirational quotes that have changed my life is one that I came up with and use for myself to help deal with feelings of overwhelm. It might be more like a mantra, but either way, I’m going to share it. When I was a far younger writer, still new and unsure of myself I used to get discouraged a lot when seeing the success of other writers. I would get stuck in one of these complaints:

I’ll never be that good.
I don’t write enough.
My website/social media account is crappy.
I don’t know enough.
I don’t have enough time.
I’m not good enough.

Or something similar. And then one day I responded to myself with: “So are you going to quit writing completely then?”
To which the answer was: “Well …no.”
“Then take one step and worry about the rest later.”

Nowadays this is shortened in my head to a more mantra-like statement that I use whenever I have a feeling of inadequacy or overwhelm when it comes to my writing. I just say to myself, as a question, with no malice or judgment: “Are you going to quit?” And then I keep going because the answer is ‘no’.

It’s basically become an interrupt for my negative thoughts, which immediately allows me to focus more on what I’m doing at the time and not worry about everything I might need to do.

The other thing that helps me with this problem is making lists, because that shows me my steps and then I can put them in order and cross them out. In addition, most times the list I come up with, of things to do, has some that can easily be put off (not an immediate deadline) which makes the list shorter and easier to manage.

Do you have a statement/mantra or ritual that you use to help with feelings of overwhelm? in order to help push you to a more positive mindset? Please share it in the comments.

Sorcerer to the Crown (POV Analyze)

This is an excerpt from: Sorcerer to the Crown by Zen Cho. I didn’t write it. I am looking to analyze the melding of omniscient pov with third person limited and how it’s done so seamlessly. (There may be typos, I typed it out quickly while watching TV.)

The meeting of the Royal Society of Unnatural Philosophers was well under way, and the entrance hall was almost empty. Only the occasional tardy magical passed through, scarcely spacing a glance for the child waiting there. Establishing shot.

Boy children of his type were not an uncommon sight in the Society’s rooms. The child was unusual less for his complexion than for his apparent idleness. Unlike the Society’s splendidly liveried pages, he was soberly dressed, and he was young for a page bow, having just attained his sixth summer.

In fact, Zacharias held no particular employment, and he had never seen the Society before that morning, when he had been conducted there by the Sorcerer Royal himself. Sir Stephen had adjured him to wait, then vanished into the mysterious depths of the Great Hall. The two above paragraphs seem rather obviously omniscient.

Zacharias was awed by the stately building, with its sombre wood paneled walls and imposing paintings, and he was a little frightened of the grave thaumaturges hurrying past in their midnight blue coats. Most of all he was rendered solemn by the seriousness of his task. He sat, swollen with purpose, gazing at the doors to the Great Hall, as though by an effort of will he might compel them to open and disgorge his guardian. At this point we seem to be in third person limited.

Finally, the moment came: the doors opened, and Sir Stephen beckoned to him.

Zacharias entered the Great Hall under the penetrating gaze of what seemed to a thousand gentleman Very much third limited, most of them old, and none friendly. Sir Stephen was the only person he knew, for one could not count Sir Stephen’s familiar Leofric, who slept curled in reptilian soils at the back of the room, smoke rising from his snout.

The thickest-skinned child might have been cowed by such an assembly, and Zacharias was sensitive. Seems to be omniscient. But Sir Stephen put a reassuring hand on his back, and Zacharias remembered the morning, to long ago now — home, safety, warmth, and Lady Wythe’s face bending over him: From here on, it seems fitted firmly in third limited.

“Never be afraid, Zacharias, but do your best. That will be quite enough, for you have been taught by the finest sorcerer in the realm. If the attention of so many gentlemen should make you nervous, simply pretend to yourself that they are so many heads of cabbages. That aways assists me on such occasions.”

Zacharias was pretending as hard as he could as he was propelled to the front of the room, but the cabbages did not seem o help. To be sure, Lady Wythe had never been called upon to prove the magical capacities of her race before the finest thaumaturgical minds in England. It was a grave responsibility, and one anyone could find daunting, thought Zacharias, even if he were a great boy of six.

“What do you wish to bring alive, Zacharias?” said Sir Stephen. He gestured at a small wooden box on the table. “In the course of his travels. Mr. Midsomer acquired this box, carved with birds and fruit and outlandish animals. You may have your pick.”

Zacharias had rehearsed the enchantment he was to perform many times under Sir Stephen’s patient tutelage. He night before, he had fallen asleep reciting the formula to himself. Yet now, as he was surrounded by a crowd of strange faces, oppressed by the conscientiousness of being the focus of their attention, memory deserted him.
His terrified gaze swung from Sir Stephen’s kind face, skipped over the audience, and roamed over the Great Hall, as if he might find the words of the spell waiting for him in some dusty corner. It was the oldest room in the Society, and boasted several interesting features, chief of which were the ancient carved bosses on the ceiling. These represented lambs, lions and unicorns; faces of long-dead sorcerers; and Green Men with sour expressions and vines sprouting from their nostrils. At any other time they would have captivated Zacharias, but right now they could give him no pleasure.

“I have forgotten the spell,” he whispered.

“What is that?” said Sir Stephen. He had been speaking in clear ringing tones before, addressing his audience, but no he lowered his voice and leaned closer.

“No helping the boy, if you please,” cried a voice. “That will prove nothing of what you promised.”

The audience had been growing restless with Zacharias stupefaction. Other voices followed the first, hectoring, displeased.

“Is the child an idiot?”

“A poll parrot would offer better amusement.”

“Can you conceive anything more absurd?” said a thaumaturge to a friend, in a carrying whisper. “He might seek to persuade s that a pig and fly — or a woman to do magic!”
The friend observed that so could pigs fly, if one could be trouble to make them.

“Oh certainly!” replied the first. “And one could teach a woman to do magic, I suppose, but what earthly good would a flying pig or a magical female be to anyone?”
“This is a great fist to the press,” cried a gentleman with red whiskers and a supercilious expression. “What fine material we have furnished today for the caricaturists — a meeting of the first magicians of our age summoned to watch a piccaninny stutter! Has English thaumaturgy indeed been so reduced by the waning of England’s magic that Sir Stephen believes we have nothing better to do?”

Unease rippled through the crowd, as though what the gentleman had said sat ill with his peers. Zacharias said anxiously: “Perhaps there is not enough magic.”

“Tush!” said Sir Stephen. To Zacharias’s embarrassment, he spoke loud enough for the entire room to hear. “Pray do not let that worry you. It pleases Mr. Midsomer to enlarge upon the issue, but I believe England is still furnished with sufficient magic to quicken any tolerable magician’s spells.”

The red-whiskered gentleman shouted an indistinct riposte, but he was not allowed to finish, for three other thaumaturges spoke over his, disagreeing vociferously. Six more magicians took up Mr. Midcomer’s defense, alternating insults to their peers with condemnation of Sir Stephen and mockery of his protege. A poor sort of performing animal it was, they said, that could not perform!

“What an edifying sigh for a child — a room full of men several times his size, calling him names,” said one gentleman, who had the sorcerer’s silver star pinned to his coat. He did not trouble to raise his voice, but his cool accents seemed to cut through the tumult. “It is all of a piece with the most ancient traditions of our honourable Society. I am sure, and evidence of how well we deserve out position in the world.”

Mr. Miscomer flushed with anger.

“Mr. Damerell may say what he likes, but I see no reason why we should restrain our criticism of this absurd spectacle, child or no child,” he snapped.

“I am sure you do not, Midsomer,” said Damerell gently. “I have always admired your refusal, in the pursuit of your convictions, ever to be constrained by considerations of humanity — much less of ordinary manners.”

The room erupted into more argument than ever. The clamour mounting till it seemed it must wake the carving on the box, and even the slumbering bosses on the ceiling, without Zacharias’s needing to lift a finger.

Zacharias looked around, but everyone had ceased to pay attention to him. For the moment he was reprieved.

He let out a small sigh of relief. As if that tiny breath were the key to his locked memory, his mind opened, and the spell fell into it, fully formed. The words were so clear and obvious, their logic so immaculate, that Zacharias wondered that he had ever lost them.

He spoke the spell under his breath, still a little uncertain after the agonies he had endured. But the magic came, ever his friend — magic answered his call. The birds carved upon the box blushed red, green, blue and yellow, and he knew that the spell had caught.

The birds peeled away from the box as they took on substance and being, their wings springing away from their bodies, feathers sprouting upon their flesh. They flew up to the ceiling, squawking. The breeze from their wings brushed Zacharias’s face, and he laughed.

One by one the carved bosses sprang to life, and the dead sorcerers and the sour old Green Men and the lions and the lambs and the birds opened their mouths, all of them singing, singing lustily Zacharias’s favorite song, drowning out the angry voices of the men below, and filling the room with glorious sound.

Gabir’s Arc (Aug 14 – 27, 2017)

So these past few weeks were rather busy. After Otakon I spent a few days with my husband’s family and I got a good amount of writing done in the mornings. I got my Scrivener outline done and started to fill in the scenes that involved Gabir.

On Thursday the 17th I went up to New York City for Writer’s Digest Conference. Had a lot of great stuff happen there, from the panels, to seeing other DIY MFA people, and the Pitch Slam (speed dating for authors and agents). I’m working on a post for what happened at the conference that will be posted later. I am going to be putting the details of the pitch slam in my newsletter so sign up for that if you haven’t already if you’re interested in hearing more about it.

I had a great time overall, but I neglected to remember/predict how hard I would crash on getting home. After being gone from home for almost two weeks I needed decompression/organization time. I barely worked on any writing until Friday which means I didn’t finish Gabir’s arc. On the other hand, my house looks beautiful. 😀

The plan is to finish up Gabir’s arc and then move on to Wildrose’s arc.

As a side note: During the drive, my hubby pointed out that my numbers for how much I planned on writing for NaNoWriMo were wrong. I had gone back and forth on how much I was planning to write and when, and I think I just got my numbers crossed. (I have a math minor but that doesn’t mean I’m good at it, just that I know more math exists than most people.) Here are the actual, correct numbers:

26 days (since I’m taking Fridays off) x 2.5k a day = 65k total