Better Late than Never

So I had to work this weekend and I rewarded myself by playing some Terraria. As such I forgot to write my journal post for this week. On Monday I got hit by some depression and everything I tried to write came out sounding like I was a complete and utter failure, even though that certainly wasn’t true.

I made good progress these past two weeks, though it wasn’t all easy and smooth, and there’s nothing big in particular that I can point to and say ‘I accomplished that!’, so it’s hard to write a post about what I did accomplish.

Sometimes this is writing. It has nothing to do with how skilled you are as a writer and everything to do with whether or not you can keep going back to the page day after day. I know some people who, I believe, are far better storytellers than I am, but I’m the one putting in the work. And so there’s nothing exciting to tell you about except that I’m still going.

Though my husband did make this:

Making it Fun Again

I’m starting to think that two weeks between journal entries might be too long. A lot happens in two weeks, a lot of things can change. I’m not going to make my deadline. I’ve been moving forward pretty steadily, I just seriously misjudged where I was with the Huntsman when I made my goal.

I spent much of last week beating myself up the fact that I’m failing to meet my deadlines and that I’m not working on my story 24/7. But at a certain point I just had to stop and realize I wasn’t having fun anymore. It was a chore and I can’t write like that. I reminded myself that whether or not this story ever gets published isn’t what matters. It’s writing a story that I enjoy and that I want to read over and over, just like The Law of the Prince Charming. I’m still having a little trouble letting go of my attachment to my deadlines, but at least now I’m focusing more on writing something I enjoy. But this is only the second book I’ve worked on this seriously, so I can only be so surprised when I wildly misjudge how long things will take. I’m sure it’s something I will learn with time, just like everything else.

That being said, I went back and smoothed out the beginning of the story and am pushing my way through Wildrose’s arc. It’s been difficult and it’s been fun. My plan now is to push through to the middle of the book in the next two weeks, both Wildrose and Tabitha’s arcs. The only way to go is forward after all.

However, it’s also time for me to admit that I’m not doing NaNoWriMo this year. Now I’m obviously still going to write, I’m just not throwing my hat in the NaNoWriMo ring. I love NaNoWriMo and I have learned so much about myself as a writer from it, but I keep reaching the point where I feel like NaNoWriMo is getting in the way rather than helping. This year, in particular, for several reasons. I’ll be going into more detail about those reasons in this month’s newsletter, so go ahead and sign up so you can stay in the loop.

See you in two weeks.

Wildrose’s Arc (Aug 28 – Sept 10, 2017)

I’ve been pushing through Gabir’s character arc and it’s going well, if not more slowly than I was expecting. I misjudged my timeline for a couple reasons. One being the downtime I needed to get reorganized after being away from home for two weeks, another in that the last time I made estimations on how much time revisions like this would take, the story was far closer to completion than this one.

Gabir’s arc is done and now I’ve moved on to Wildrose’s about a week late. I am really enjoying delving more deeply into Wildrose, since I hadn’t done any scenes from his pov yet. When I started this book I thought I was only going to use pov from Tabitha and Gabir, but I realized that Wildrose was doing a lot of stuff in the background and not confiding any of it to anyone, which means for the reader to have any idea what’s going on, he would have to have his own pov scenes.

On the other hand, there are many scenes where Tabitha and Rose interact, so as I’m doing Wildrose’s arc, a lot of work is being done on Tabitha’s arc as well. So I hope to have the both of them done by Sept 24th. Which will give me plenty of time to fix up the rest of the story, do a smoothing pass, and be ready to start on the draft 0 for the Wizard (Book 3).

Writer’s Digest 2017


Part of me knows I should’ve written this sooner after having been to WDC, but the other part of me was really busy. :p

So I headed up the NYC on Thursday the 17th after having been at Otakon in DC the past weekend and staying with my in-laws in Baltimore for the week. My train was an hour later, after I got there over an hour early, worrying that I would miss the train. So that was sort of a pain. Then, once I got on the train I had a rude exchange with one of the conductors because I was having trouble finding a seat. It took me a moment to realize that people put their stuff in the second seat in an attempt to keep anyone else from sitting next to them. So then I asked someone to please move their stuff and I achieved a seat.

I got off in Penn Station, grabbed a pretzel (because I was starving) and used Google Maps to get me on the right Subway and to the hotel. I got my WDC badge with no delay and got my room before finding my roommate in the ‘intro’ session.

We got some food and then spent the rest of the evening working on our pitches for the Pitch Slam. We spent a few hours writing and rewriting until we finally decided to call it a night and hope we would get some good advice in the Pitch Perfect session the next morning.

The Pitch Perfect session went well and gave me some good ideas for my pitch. Then I launched into a full day of panels, including Steven James’ Story Trumps Structure which was fun and full of great information and Mastering Plot Twists by Jane K. Cleland, which I was a little wary about at the start because I thought it would be too formulaic, but ended up being very helpful. That night was a great keynote from Lisa Scottoline who was boisterous and fun and made me feel super excited about the rest of the conference.

Friday night was spent at dinner with the DIY MFA crowd and then working on our pitches again. At one point I realized my writing style is just nowhere near my conversational voice and I was running into an issue where everything I wrote sounded too formal. So I wrote out the opening bit to my pitch (my name, book’s title, word count, and elevator pitch), and then I just created some bullet point-like notes in case I got really stuck and decided I was going to wing it.

Luckily I was in the first pitch slam session so I didn’t have all day to worry about it. It ended up going wonderfully and I came away with four requests for submissions from the agents I was most excited about. If you’d like to know more detail about what happened and what I learned during the pitch slam, sign up for my newsletter which will be going out next weekend.

Then it was back to panels. Another Stephen James lecture on Troubleshooting your Novel and one by Crystal King on Taking Control of your Book’s Promotion Plan which had an amazing list of things you can do to promote your book. I love lists.

Then the most amazing thing happened. I got to be a part of a DIY MFA podcast along with the other DIY MFAers who were at the conference. I was super nervous and I have no idea how I’ll end up sounding on the finished product, but it was tons of fun doing it with everyone. That podcast will be available sometime in the next month or so (I don’t know exactly). I’ll be sure to post a lot about it so you won’t miss out.

And Sunday were two nice lectures, one on Voices in my Head by Heather Webb which gave me some good ideas on trying to identify my own writing voice. And you may have noticed the ‘subtle’ link to sign up for my newsletter. I went to a lecture on Newsletter Marketing put on by Jane Friedman, so I got some amazing ideas for both promotion and putting out a newsletter that will be worth the space in your inbox.

After that I checked out the hotel and headed to the subway, only to find out the Subway’s E line that I had taken here from Penn Station was diverted for the weekend, so I had to get as close as I could and then walk the rest of the way. At least I had my rolly luggage so it wasn’t so bad. The train was right on time, I got on and found a seat immediately and read ‘The Ocean at the End of the Lane’ by Neil Gaimen, finishing just before I arrived in Baltimore, where I met with my hubby and we drove home from there.

Smoothing Pass (Aug 7 – 13, 2017)

So I managed to get this done even with Otakon this weekend. I finished creating the summary/loose outline before I left, and this morning (which is technically the 14th, but I’ll count it) I went through and moved the pieces around a bit. Now I’m feeling better about how things are coming together.

This is the reason that I sit down and just do overall organization passes. It’s pretty much like creating an outline, only I don’t think I refer back to my outline as much as writers who outline do. The process of creating the outline helps me fit everything together in my head, and then I only refer to it if I get lost.

This time I plan to try something new and create an outline with the notecards in Scrivener. Not sure how well it will work, but I am going to put together the middle of the story where things are really rough right now as just an outline in order to shoehorn everything in. Shouldn’t take me more than a day. Then I can get to work on Gabir’s arc which, while it is the most important, it is also the most solid right now. So even with Writer’s Digest this weekend, I should be able to get that done.

I think the Wildrose arc will give me the most trouble, but starting in September I’m back to working at the barn only half days and so I will have more time in the afternoon to work on his arc as needed.

Of course with Writer’s Digest this weekend, I may attend a panel that completely changes my writing life and give me some sort of amazing insight, but barring that I think my plan is pretty solid.

My Effort Toward Better Conversation

I decided a while ago that I was tired of being scared of conversation. It is something I became aware of several years ago, that I go into almost every conversation in an attempt to make the conversation short and painless. I make myself as agreeable and inoffensive as possible and often apologize or explain my reasonings even before questions come up. I do this both speaking and writing and frankly, I’m tired of it.

I’m tired of how exhausted it makes me worry all the time about being wrong. I’m tired of not connecting with people who may be great because I start out defensive or with one foot out the door. And I’m also tired of not saying what I actually want to say because it’s habit (and thus easier) to just agree.

I started working on this in my written messages, mostly because the time delay makes them easier to write, look at, and then take out all the soft words, the apologizing, and the explanations. Every time I’ve done it, I worry about how it’s going to come across and what the other person is going to think. I haven’t gotten any push back yet. Just shorter, to the point messages.

I am still struggling with this in my speaking. Even when I rehearse what I’m going to say before I open my mouth, I tend to shift into apologetic/explanation mode without realizing. Then I admonish myself after the conversation is over, not that I can change anything at that point.

It’s hard to change habitual behavior like this, even with intention. But I know how much better I’ve gotten with my social anxiety in the past four years, so I figure if I start working on this now, I’ll see results in another four years. My ultimate goal is to be in an uncomfortable conversation and be able to stop, take a breath giving myself time to think, and then respond the way I actually want to.

Anyone else working on improving themselves in some way and want to share their progress and/or struggles?

How my Writing Taught me to be a Discovery Rider

I have been a discovery writer since before I knew what that was. I always balked at outlines in school and avoided them when I could. English papers were created with no rhyme or reason and not edited before they were turned in. (Okay, maybe sometimes I read them over once.) I never got very good grades on my papers and, as a result, I hated English class, much preferring math and science.

My writing has always been like that. I don’t know what I think until I write it. I can’t plan how my characters are going to react until I’m in the scene with them. As such, writing is like magic to me. I discover what is happening as a result of the decisions my characters make, as they each grow to be more and more real.

As I’ve become more serious about my writing, the one thing I’ve found is that I can’t just think my way through a story. When I try, I generally just get stuck staring at the screen. Sure I get little bits of inspiration (that I need to write down as quickly as possible before I forget it) but I never really plan things out in my head. Or if I do, when I get back and start to actually write down the words, I’ll find I forgot or misjudged something important and it has to change.

What works for me is to sit down at my keyboard and start writing. Sometimes I pick a character or a situation first, sometimes I put word after word until I realize what I’m writing about. And what I produce is a rough draft. It needs to be organized and cleaned. But because I have taken the action, I have something to work with, something to learn from. That is my process, and I end up with good results eventually.

However, when I started riding and I learned a new technique, I would listen to the instructor describe the process and then think through the process. I would talk about it. I would ask questions. Then I would try the technique, get it wrong, stop, and try and figure out what was going on.

Suffice it to say it took me a long time to realize that I needed to treat my riding the same way I treat my writing and become a discovery rider. I take the general idea of what I want to get done, trust the skills that I have learned, and then I go and try the new technique. I inevitably get it wrong, adjust, and try again.

Because all of that thinking and analyzing never helps. I am never better at doing something new by thinking about it because I have absolutely no feel yet. As I’ve said before, you can’t develop feel without getting in the thick of it so you make mistakes and figure out how it’s NOT supposed to be, which eventually distils into what it IS supposed to be.

I’m not saying to ignore instruction, either in writing or anything else, but sitting there and thinking about it instead of acting doesn’t do you any good. In the grand scheme of things, the only way you’re going to learn and get better is to do, and being a discovery writer and a discovery rider has taught me that.

What is something that you haven’t done as a result of over-thinking it because you’re worried about getting it wrong?

Analyzing my Awareness

I’m going to let you in on a little secret. When I started Laura’s Morning Routine, I had planned to take the data and make a graph with it in excel. I expected to find some sort of beautiful pattern that I could analyze my awareness. Several months in I realized that I didn’t need to analyze the data.

If you’ll remember, this trio of posts was about developing awareness in order to learn feel and the only way to learn feel is to experience something over and over until you just know. I didn’t need to analyze the data because at that point I had learned the feel of myself.

What I Learned About Myself

1) I saw a shift in my mind and spirit right before my period. It allowed me to mark that on my calendar so I was aware of it and for the effects of it. In the past I would have a few days of depression, now it’s regularly down to no more than a few hours at a time.

2) I began to see patterns in my mental state based on events that happened. That probably sounds like common sense: When something stressful happens in my life, I am effected by it. What I learned, though, was my mind often attributed the stress to something completely unrelated to what I was actually stressed about.

In April of 2015 (while I was doing this exercise), I found out that one of my cats was starving to death because she had severe periodontal disease that my husband and I wrote off as ‘bad breath’. She had to have surgery to remove all of her teeth. You can read about my reaction to this here, which is when I had a real breakthrough in understanding about how my mind hid the true reason for my depression under myriad other complaints for three terrible weeks.

I only knew that something was wrong, however, because I knew what normal was for me, and I was still stuck in it until I reached out to my riding coach, who was able to talk me to awareness.

3) I became more aware of my mental states. While I would write down an overall number for each day, I began to be aware of different periods within those days where I was one number or another that would later shift. This is when I knew I was really raising my awareness, because it expanded to times when I needed it and not just the time I was actively practicing it. And when this happened, I began to figure out when I could then consciously shift my mental state, and when my mind or spirit really needed to be low.

4) I really got to understand that my emotions happen, they change, and that they’re supposed to. And with being able to see the overall data over weeks and months, I was able to put less weight on the way I was feeling in any given moment because I knew it would be changing. In truth, it helped the lows be less low because I didn’t focus on them as much, and made the highs higher because I would be aware of them and grateful for it.

The thing is, that without the experience of looking into myself and my life, I never would have been able to develop the feel about myself that I did. The numbers don’t matter, I threw them away at the end of the year, but the feel I had developed in creating them was invaluable. There is no way around this. If you want to develop feel, then you have to be aware.

So How Does this Apply to Writing?

That being said, here’s where I tie this all back into writing. I promised I would. I admit the post got away from me a bit, but I hope seeing my results will give you some insights.

I used my new-found awareness to track how productive I was in different environments, doing different types of writing, etc. I didn’t change what I normally did at this point any more than I changed my life at the beginning of the year when I was focusing on awareness. I also didn’t use numbers at this point (though you’re certainly welcome to, do what works for you.) but over time I became aware of what worked and what didn’t and collected those common elements.

Things that I Discovered:

Where: I can’t write facing a wall, I need space in front of me. Other than that it doesn’t matter much.

When: I write much better in the mornings and after dinner it’s really a struggle to write creatively, though revision can still happen late in the day.

What: Location doesn’t matter so much (as long as I’m not facing a wall) but the amount of distraction in the space does. New prose is harder to write with noise or activity of any kind (that includes music). Revision and smoothing, it doesn’t matter as much, though part of that could be because I like revision best so it’s easier to keep focused.

How: Writing new prose is best on my phone or netbook where I don’t have access to the Internet. Revisions and smoothing are better on my computer with the large monitor.

Once I began to get a feel for what worked, I was able to focus on changing things up. I would try a new place or a new technique I had learned. Most people suggest trying something new for at least two weeks to see if it works, but since I’ve learned to better distinguish the ‘this isn’t right’ from the ‘I don’t like this’, I often don’t need to spend more than a week or so trying it out. The important thing to keep in mind is to trust yourself and your feel.

I know there are those of you who might want to skip right to this exercise because the writing is what you care about. I get that and I wish you the best of luck with it. And you might take just a moment to ask yourself why you’re not willing to develop awareness in yourself. If it feels too ‘whoo whoo’ …I would argue that so does the concept of feel in general, but you know feel is real. If you don’t think you have the time …well if your goal is to become a professional author and have someone pay you for what you produce, then there is going to be time invested.

Overall, I hope that you were able to get some ideas or insights from this series of three posts. If none of this clicked for you, then great, you tried it and now you can move on and try something else. If you got something valuable then I’m so happy for you. Either way, feel free to leave me a comment and tell me what you thought. I look forward to hearing from you.

This post is last in a series of three:
Post #1: The Skill of Feel
Post #2: Developing Awareness

Remembering my Process

I started this weekend with the knowledge that it was as good as the end of the month. The first week of summer camps start at the barn on Monday and I will be back to working full time to help you. I knew if I was going to finish my rough draft of The Huntsman before June like I planned, I was going to have to get most of it done this weekend.

I got a lot done on Saturday. Almost 3k words and some revision. On Sunday I wrote a different version of a scene which I thought created more conflict but no longer worked with some of the character tie-ins I had gotten out of the first version of the scene. And that sent me into a spiral of self-doubt where I questioned everything to the point where I was ready to change something fundamental about the world in an attempt to fix it.

My husband noticed my distress and tried to help me outline the story, but that ended up to be too daunting a task for a Sunday afternoon. Instead I gave him the first 45k words (which are in a ‘readable’ state, as opposed to the rest of the book which is a complete mess) to read. While he was reading I went back to look at what I had given him to see how much of a mess it actually was.

While there, I ended up reorganizing it into draft 4 and after reading the beginning, I reminded myself that I am actually a good writer and that working on the second half of the book is just my biggest weakness. This ‘omg, nothing will ever work’ is what happened with Shifting Winds (and why I gave up on it) and then happened again with The Storyteller. However, I plowed through that draft anyway and eventually wrote the second half over to get a book I absolutely love.

With that reminder, I was able to write several scenes with which I was completely happy. (They came out of nowhere too. I love being a discovery writer.) I just need to remember that whenever I hit that impassable wall in my story, I need to step back to read/revise the beginning and remind myself that I am good at writing before I dive back in. It’s funny because this book has been so different in the writing from The Storyteller that I didn’t think any of my process would be the same, but it is.

Do you have any situations where you struggle doing something only to finally remember to take a step back so you can go at it the right way?

Developing Awareness

In my past post, I walked about what feel is, and that to develop it, it helps to be more aware. If you missed that post, you can go back and read it here.


At the end of 2015 I decided I needed to be more aware of my depressive episodes. I knew they followed my period in some fashion but for the most part I would be miserable for several days until I realized my period was coming, and then I would be able to actively manage my depression. That was no longer working for me, so I made the choice to do something about it by developing awareness.

You may remember from my last post, the way my riding coach asked me “Did you feel that?” over and over until awareness had become a habit. So what I wanted to do was create an exercise where I could remind myself to be aware. I call my exercise: “Laura’s Morning Routine”. You don’t have to call it that, but you can if you like.

What I Did

Every morning for a year, I sat down and did two things:

1) I closed my eyes and I took stock of how I was feeling in that moment.

The whole exercise takes no more than five minutes. It was simply a set time for me to stop what I was doing and focus on myself for a few minutes. Since this was not something I had done before, I had no experience with what I felt like, and thus had no idea what I was supposed to be feeling.

As time went on, I began to notice when things were off my baseline. By taking stock at the same time in the same place each morning, I cut down on other variables. I got used to how I normally felt, and began to notice when things were different.

2) I rated the previous day on a scale of 1 to 5 in the categories: mind, body, and spirit.

I am a computer science major. I like beautiful, organized databases and so rating myself on a number scale worked for me. I chose body, mind, and spirit because I thought it would be interesting, then I defined each one thusly:

Body: Rated based on how much pain I was in that day. ONE was pain that got in the way of my day, THREE was how I feel normally (no pain), and FIVE was amazing. Over the course of the year I only had a few ONEs and no FIVEs. This measurement ended up being the least useful to me, but I didn’t know that when I started.

Mind: Rated based on how much chatter or negative self talk my mind was generating that day. ONE was a near constant racket, THREE was normal (not none, but manageable), FIVE were days when I was very positive, either extremely grateful and/or having lots of great story ideas.

Spirit: Rated on how much social anxiety I was dealing with. ONE were days I was withdrawn and did everything to avoid attention. THREE was normal (chatting with people when they were around). FOUR were days when I sought out interaction with people, FIVE were days when I would sing out loud with my music.

I would also make note of important events going on that I thought might influence my emotional state. This included my period.

Making your Own Exercise

I showed you what my own exercise looked like as an example and a guideline, but don’t feel the need to stick with doing everything exactly like I did it. The important points are to:

1) Set aside a time to do the exercise and try and make it happen in the same place and at the same time as often as possible. The whole idea is to get used to being more aware, so if you do it once a week it may be harder to build a habit of being aware, and if you change the time and location constantly it will be harder to build a baseline for how you feel.

2) Define your rating system so you know what it means. You can rate yourself however you want. You can have a scale from 1 to 100. You can rate yourself in .5 increments. You can rate yourself using fruits. The important thing is that you know what it means.

Please Note

Developing feel is not something you will see an immediate result from. (I did this exercise regularly for then entirety of 2016. Not saying I never missed a day, but I didn’t let myself miss many.) It is a lifelong pursuit, but then so is growing as a writer, so these things go hand in hand. I’m not telling you this to discourage you, but to encourage you. I don’t want you to try these techniques for a week or two and then think something is wrong when you’re not magically aware. It takes a bit of dedication, but the results will be worth it.

Now you may be thinking: “Okay, you’re having me gather all this data. What am I supposed to do with it. I should analyze it somehow. What if I get a ton of banana days and almost no limes. What does that mean!?” For right now I encourage you to give this a try for two weeks. Write down your data and don’t analyze it. Or at least do your best not to. Humans like to look for patterns in things and they like to know why. In my next post I’m going to talk about what you can do with the data you collect and how you can shift this exercise to help you become more aware in any facet of your life, and yes, that includes your writing.

This post is #2 of a series of three:
Post #1: The Skill of Feel
Post #3: Analyzing My Awareness